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Frida Kahlo

1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
Frida Kahlo dama de blanco painting


dama de blanco
dama de blanco
Painting ID::  56544
   mk247 1928,oil on panel,31.25x23.625 in,79x60 cm,private collection
  mk247 1928,oil on panel,31.25x23.625 in,79x60 cm,private collection

 
 
   
      
Frida Kahlo
1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
dama de blanco
mk247 1928,oil on panel,31.25x23.625 in,79x60 cm,private collection
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| The Boy with the Clubfoot (mk08) | Tote Pfauen | Hagar in the Wilderness | Portrait of Louis de Saint-Just | Landscape with Tall Trees dg |

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